Archive for the ‘The Industry’ Category

My Personal Best in Photojournalism in 2009

Thursday, December 31st, 2009

So I wanted to make a list of the ten best things in photojournalism in 2009, but I thought seven is much better number – not as symmetrical, clean and boring as ten, but with a lot of tension, power and at the same time harmony.  It feels like the number closest to the golden ratio so I thought that was a good number for a list related to photography. (And, well, I haven’t come up with more.) Here they are:

# 7: Platon

Photos: Platon/ The New Yorker

Photos: Platon/ The New Yorker

I could listen to Platon telling the anecdotes he has collected over the years photographing the famous and powerful for hours. Check out the series of portraits of world leaders he did for the New Yorker. Unfortunately, Angela Merkel is missing – I would have loved to see her in there, but it wouldn’t have been her style. To make a bet: Platon’s work will be awarded in the World Press Photo Contest.

# 6: New German Photojournalism

Andy Spyra's website

Andy Spyra's website

Photojournalism in Germany in the last years has been heavily influenced by Ostkreuz an agency from Berlin. To sum up its style: brownish, desaturated medium format photography – rather unemotional. I feel that there’s been a new trend recently, I can connect better with.

To see what I mean, check out Andy Spyra’s work. He comes from a small, boring and probably really uninspiring town in Germany – yet he produces very inspiring photography. He has devoted himself to documenting life in the Indian part of Kashmir and has been quite successful.  He has been shortlisted for the Magnum Expression Award and received the Getty Images Grant. But most importantly he has photographed one of my favorite images of all time.

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New Roads in Photojournalism

Sunday, November 8th, 2009
Paolo Pellegrin: Georgian Spring

Monastery in Tblisi, Georgia. Photo: Paolo Pellegrin/ Magnum/ Georgian Spring

As magazines and newspapers cut costs for production, competition among photographers is rising and publication on the internet  doesn’t generate enough income, photoagencies try to approach new ways to fund and publish projects. The most recent examples are Consequences by Noor and Georgian Spring by Magnum.

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